Beyond the frame: films by Anocha Suwichakornpong, Ross McElwee, and Bani Khoshnoudi open lines of flight into the shared social and historical world to which they—and we—belong ...
If Satyajit Ray was the suitable boy of Indian art cinema—unthreatening, career-oriented, reliably tasteful—Ritwik Ghatak, his contemporary and principal rival, was its problem child. Where Ray’s ...
Alice Guy was not merely the first woman filmmaker; she was in fact an authentic motion picture pioneer both in the expansion of a film aesthetic and in the development of the new art’s technical ...
ROGER CORMAN: I started originally as a messenger at Fox. I came out of Stanford as an engineer, worked four days and quit. The only way I could get into the business was a messenger. I worked ...
There’s nobody on this set who’s got a bigger dick than he does. Whatever he wants, he gets. —a Milagro production assistant. Even in this remote location, Robert Redford can’t escape the glare of the ...
Time is a formidable enemy in Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days, and thus it’s appropriate that its scenes, shot in handheld cinemascope, are built around prolonged, pitilessly unblinking ...
“I just came from Deep River, Ontario, and now I’m in this dream place,” says Betty, the absurdly naive and optimistic young actress whose downward trajectory is the emotional and narrative center of ...
What is black and white, in color, and somewhere over the rainbow? That has an angel orchestra, a pork chop orchard, and is just like L.A., New York, Chicago, or Miami? The answer is heaven. And ...
SKOLIMOWSKI: It is my most sensory feeling that I try to represent in my films. It is what I can touch. Concrete. This is what I think and this is what I take under consideration. The moral criteria ...
You know I’m compiling a book on the directing of the non-actor. I am meeting many directors. The book is primarily a way for me to organize my own thinking and to take advantage of the experiences of ...
That one of the most consistently amusing and enlivening movies to emerge from 2011’s crop of festival films should have been made by a filmmaker under house arrest, his hands pretty much tied, his ...
The Canyons is a compelling, twisted film about sex, career, money, and power in contemporary Hollywood. But the story, while edgy and intricate with deceit and betrayal, is a means to another end.
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