The days when LSD made headlines as ‘The Most Dangerous Thing Since the Atom Bomb’ are long gone; now we’re in a ‘Psychedelic Renaissance’, with Prince Harry drinking ayahuasca tea and Mike Tyson ...

'Piecemeal the body dies,’ wrote D H Lawrence in ‘The Ship of Death’, ‘and the timid soul/has her footing washed away, as the dark flood rises.’ Lawrence was dying prematurely from tuberculosis, but ...

‘Dornford Yates’ was the pen-name of novelist William Mercer, 1885–1960. Of all the authors whose fiction has got about my wits, none has tempted me so clamorously to find out about his factual life.

‘Characters migrate.’ New Zealander Lloyd Jones’s Mister Pip takes this aphorism from Umberto Eco as its epigraph and it has multiple resonances in his novel. The thirteen-year-old narrator Matilda’s ...

Under its longest-serving editor, Graydon Carter, Vanity Fair was that rare thing – a New York society magazine that published serious journalism. @PeterPeteryork looks at what Carter got right. Peter ...

Johnsey Cunliffe is a young Tipperary man with a disability that has rendered him somewhat lumbering and, in everyone’s estimation (including his own), simple. Despite this, the third-person narrative ...

In Gulliver’s Travels Swift presented such aberrations of nature as people the size of mice, giants towering like steeples and ancients doomed to immortality. This novel by the Portuguese writer and ...

Ian Kershaw enters a crowded field with To Hell and Back, the first instalment of a two-volume history of Europe’s horrendous 20th century. Anyone interested in the period already has a formidable ...

SALLEY VICKERS IS an audacious writer. who dares to tread where few in this apostate age would wish to venture. At a time when the Church of England is struggling to persuade its dwindling ...

There has been nothing in English historical writing over recent decades to match the intensity of interest in the civil wars of the mid-seventeenth century. The foundations were laid a century or so ...

Martin Amis’s new novel is clearly the result of the same forces which he says prompted him to write Einstein’s Monsters: Parenthood and a belated reading of Jonathon Schell’s Fate of the Earth. In ...

Towards the end of Peter Ackroyd’s first novel, The Great Fire of London, he says; ‘This is not a true story but certain things follow from other things.’ It is a good description of his latest novel, ...