Robert Frank’s films include The Sin of Jesus, his 1961 adaptation of an Isaac Babel short story; OK End Here (1963), an intimate chamber piece featuring an original score by the great free jazz ...

AH: And it wasn’t just the Rio Olympics that found it useful. EH: NASA has a data visualization team, and they’ve created their own version in the same format, which has also been very popular and ...

“It’s like a fellow I once knew in El Paso. One day, he just took all his clothes off and jumped in a mess of cactus. I asked him that same question, ‘Why?’ He said, ‘It seemed to be a good idea at ...

You raise such a crucial aspect of her adventure, especially in this moment when the self—the self as brand, the artist as lifestyle influencer—reigns supreme. By doing the work of others, Sturtevant ...

On the occasion of MoMA’s recent acquisition of more than 200 works by Ken Jacobs, and the presentation of three of his films in Gallery 411: Ken Jacobs: Deep Cuts, we sat down with one of cinema’s ...

I do not remember when I first met Richard Serra. But I do remember the first time I was bowled over by his work. It was in the fall of 1996 when I saw the monumental 58x64x70—the title describes the ...

Early on, for example, Laurie Spiegel sent me a few options, the first being the original files of her piece Kepler’s Harmony of the World, which uses the astronomical sounds of planets; the other was ...

“Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take ...

The Learning Tree. 1969. Gordon Parks I saw this film when I was 18 years old, and Gordon Parks was at that time one of my heroes. So to see a film about his childhood in Kansas was so riveting and ...

What does the term “ blockchain ” mean to you, and could you ever imagine it being a part of how you engage with art? Guided by artists working at the cutting edge of technology, and enabled by its ...

El lugar del alma, instalada en el segundo subsuelo del Museo Moderno de Buenos Aires, a 10 metros bajo tierra, es una experiencia en la que el espectador baja a las entrañas de la tierra y entra en ...

Rabih Mroué’s Pixelated Revolution screened here May 24–June 7, 2023. The video is no longer available for streaming. Join us for the next Hyundai Card Video Views, screening on June 21. At the outset ...