"There's no need to cut when you're watching these great faces delivering wonderful performances," Oscar nominated film ...

This year, two women are nominated at the Oscars for production design: Suzie Davies for “ Conclave ” and Judy Becker for ...

The script always had a soul, a second layer — it’s not just about a plot or a story; there’s something deep behind it. It ...

The grave error Lawrence makes and which the movie itself makes as a whole is treating certainty as the church s enemy and ...

John Lithgow visits Criterion Closet, selecting films such as 'Sullivan's Travels,' 'The Spy Who Came in from the Cold,' and ...

In adapting Conclave, Straughan’s principal change is recalibrating Harris’s Cardinal Lomeli as Fiennes’s Lawrence. “There ...

Conclave producer Michael Jackman talks about the incredible response to 2024's most thrilling movie, and reflects on casting ...

There’s no need to cut when you’re watching these great faces delivering these wonderful performances. Carlos Diehz in “Conclave” (Focus Features) The scene between Lawrence and Benitez ...

Secret ballots are cast and counted, in an arcane tallying system, and a victor is announced, to great fanfare. This is, roughly, the plot of “Conclave,” in which the College of Cardinals ...

Ralph Fiennes talks Conclave's important message of "Tolerance" and "asking questions", reveals set detail on 28 Years Later.

“It’s funny that ‘Conclave’ is in the contemporary category ... The wind traps were so great too – they look like spiders.” “The design of that film is extraordinary because it ...

Lawrence opens the conclave with a homily where he underlines the importance of doubt in faith. Certainty, he says, “is the great enemy of unity. Certainty is the deadly enemy of tolerance.