The Hollywood Bowl opens for the season with 'The Best of Broadway,' a lavish concert headlined by Halle Bailey, Darren Criss ...

Mel Brooks often starred in the movies he directed, including leading roles in Silent Movie and High Anxiety, as well as many memorable supporting performances. Mel Brooks has never acted his age.

Stacker presents AFI's top 100 movie lines compiled using feedback from more than 1,500 leaders in the creative community.

Betty Grable is an icon of Old Hollywood, and although her legs were legendary, she had a dry quip about the real value of her gorgeous gams.

Welcome to Dissected, where we disassemble a band’s catalog, a director’s filmography, or some other critical pop-culture collection in the abstract. It’s exact science by way of a few beers. This ...

Pink brought sincerity and high energy as the host, musical numbers by “Cats,” “Ragtime” and “Chicago” popped, and Maya Rudolph and Cole Escola mined comic gold. By The New York Times Pink, a ...

The charm of Berkeley Repertory Theatre's world premiere of "The Lunchbox" can't be overstated. Based on the 2013 film of the same name, it is, to put it simply, a must-see. It is that rare beast: an ...

BERKELEY, CA – Berkeley Repertory Theatre Artistic Director Johanna Pfaelzer and Managing Director Tom Parrish have announced the world premiere of ‘The Lunchbox’, a new musical scheduled to run from ...

Food, glorious food. “The Lunchbox,” a richly satisfying new musical now in a world premiere production at Berkeley Repertory Theatre, is stacked with delicious vittles and vivid ditties. From the ...

BERKELEY -- The township's annual "Sounds of Summer" concert series at Veterans' Park kicks off July 1 with a tribute to '70s music and fireworks to mark the nation's 250th birthday. The free concerts ...

James Blake’s music often sits between genres, drawing on gospel-leaning piano balladry, R&B melody, the low-end pressure of club music and the warped textures of electronic production. Bay Area ...

One man caresses the leaves of a branch into the microphone. He moves on. Gently, he picks a twig and rubs it onto another, creating, coaxing a soft, rhythmic friction. The sprawling audience leans in ...