Anna Karina (l.) and Eddie Constantine (r.) star in Jean-Luc Godard's 1965 science fiction-film noir mashup "Alphaville." (Rialto Pictures) One of Hollywood's favorite shortcuts around a good idea ...
Before he loved anything else, Jean-Luc Godard loved genre: He famously dedicated his first feature film, “Breathless,” to Monogram Pictures, one of the monarchs of Poverty Row B-picture production.
Remakes of Godard’s work are a dicey proposition: his signature style is so maddeningly distinct that a reimagining sounds unnecessary (not many people even remember the Richard Gere-starring remake ...
A long overdue digital restoration of my favorite Jean-Luc Godard film, the glorious 1965 black-and-white surreal sci-fi noir “Alphaville,” starring Eddie Constantine, Godard’s wife Anna Karina and ...
The blinking, eyeless gaze of Alpha 60 beckons the viewer into the city of Alphaville, a dystopian technocratic dictatorship. , a philosophical science-fiction film noir, combined two previously ...
A film from out of the past, set in the future, and more than ever concerning the present — that can only be “Alphaville,” Jean-luc Godard’s 1965 sci-fi detective story and a work that rages against ...
“Alphaville” was both a complete revelation and yet not so vaguely familiar. This exotic product of the French new wave washed across the shores of my youthful consciousness, mingling the familiar ...
A cinematic obsessive with the filmic palate of a starving raccoon, Rob London will watch pretty much anything once. With a mind like a steel trap, he's an endless fount of movie and TV trivia, borne ...
Veteran cinematographer Frank Byers (“Twin Peaks,” “Boxing Helena”) is set to direct an indie remake of Jean-Luc Godard’s 1965 film noir “Alphaville,” TheWrap has learned. Studiocanal and the director ...
Which near-future dystopian city would you rather live in — the rainy, colorfully weird Los Angeles of “Blade Runner” or the black-and-white chicness of Paris? Decide for yourself as Ridley Scott’s ...
ALPHAVILLE is a place in a future that will never exist. It doesn't have the sci-fi shine of Star Trek or the grimy tech of Star Wars; the closest Alphaville gets to any other science-fiction film is ...
Before he loved anything else, Jean-Luc Godard loved genre: He famously dedicated his first feature film, “Breathless,” to Monogram Pictures, one of the monarchs of Poverty Row B-picture production.